The Strangers

Director: Bryan Bertino

Writer: Bryan Bertino

Staring: Gemma Ward, Liv Tyler, Scott Speedman

Released: 5/30/2008

Rating: R

Studio: Rogue Pictures

Web Site: www.thestrangers.net

The Strangers is a VERY frightening film. This is one of those movies that stays with you after you leave the theater. The plot is neither complex nor is it a new concept. This is a perfect example of how a film is executed (pun intended) is what’s important. It’s all in the timing and subtlety here. Strong acting and a great soundtrack also helps.

When we first meet the main characters they are in a very awkward and uncomfortable situation. She has just refused his marriage proposal and here they are alone together in a vacation home completely unsure of where they stand. This uncomfortable air sets the perfect tone and is only amplified when a strange girl knocks on the front door. The terror in this film comes from it’s atmosphere and uncertainty. Though people creeping around in masks doesn’t hurt either. The story keeps you at the edge of your seat and the tension starts small and builds to its disturbing climax.

Another aspect of this film that keeps you creeped out is that it feels very real. At no point does it become fantastical, this could very well have happened. Which is a point since the story is inspired by real events. This is much more psychological horror, my favorite, then it is boo, going to get you. Though there are a few nicely done jump scares that got me good.

If you want a film the gets under your skin, then this is the movie for you. It’s the kind that has you up checking your car or home to make sure no one’s there. It leaves you looking over your shoulder. The Strangers is a great ride that doesn’t disappoint.

5/5

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The Haunting in Connecticut

Director: Peter Cornwell

Writer: Tim Metcalfe and Adam Simon

Staring: Kyle Gallner, Virginia Madsen, Elias Koteas, Tim Metcalfe, Martin Donovan

Released: 3/27/2009

Rating: PG-13

Studio: Gold Circle Films and Lions Gate

Website: www.hauntinginconnecticut.com

A good haunting movie doesn’t come around often. So many are killed by CGI, poor story, bad acting, and/or lame monsters. None of which affect this movie. This film is nice and creepy and done very effectively. One thing that surprised me was the whole possession angle. Now I am generally not a fan of possession stories but it is done in a way here that is very intriguing. No talking fingers, or funny voices. This film creates an eerie atmosphere from the start and it doesn’t let go until it’s dramatic end.

A Haunting in Connecticut follows one family’s real-life encounter with the dark forces of the supernatural. The Campbell family moves to upstate Connecticut, forced to relocate near a clinic where their teenage son was being treated for cancer. Kyle Gallner dose an amazing job as the cancer ridden son, Matt. His eyes have a way of showing his pain, and latter, his haunted changing behavior. His strength and personality make him an endearing character. The film moves at a good pace and it quickly becomes evident that their new home has a disturbing history. Yes, that’s right, it’s a transformed funeral parlor where strange events have occurred.

The ghosts in this film are the kind that hide in the shadows and make a few pop ups for some good jump moments. Matt’s “possession” is more the ability to see what a spirit wants him to see. So a lot of the story’s key points come in flash back form. That is until his sister, Wendy, takes an interest and dose some digging for the home’s history. I loved this scene because it reminded me of an 80′s training montage. However this did not ruin the great creepy atmosphere. Which by the way, was made even better by the movie’s eerie score by Robert J. Kral.

The other major character is a Reverend, played well by Elias Koates, who also has cancer. He believes that being close to death makes one able to connect with the other side. He believes Matt’s tale completely and takes him under his wing. But when he comes to the house to help things go from bad to worse. The one person I didn’t like in this film was the dad. He just seemed out of place and awkward. Mainly because his screen time was maybe ten minutes. The mom (Virginia Madsen) did well as voice of reason and was of course the last to have any ghostly experiences. All the performances did a great job at driving the story and making you care what happens.

The Haunting in Connecticut is a simple ghost story done right. It takes inspiration from great films of the past, takes it bit father, and adds new elements to make the recipe perfect. This movie shows that you don’t need much to scare people you just need to do it right. Great story, great acting, great visuals, and bam you’ve got a great picture. I highly recommend this film to anybody who likes that edge of your seat creep. I know this will be a must watch every Halloween movie in my house.

4 1/2 /5

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Inglourious Basterds

Director: Quentin Tarantino

Writer: Quentin Tarantino

Staring: Christoph Waltz, Brad Pitt, Melanie Laurent, Eli Roth, Diane Kruger, Daniel Bruhl

Released: 9/21/2009

Rating: R

Studio: Universal

Web Site: www.inglouriousbasterds-movie.com

Nazis, Brad Pitt, and Quentin Tarantino, what could go wrong? Not much really, just a few things. The first and biggest complaint is that The Basterds were not the central focus, as the trailer and the title suggest. They were all such interesting characters I wanted to know more about them and see more of their exploits. The film is instead divided between them and the tale of the Jewish lead, Shosanna. While it was an engaging story it did tend to drag, especially in Chapter 3. A faster pacing would have been welcome.

Now just because I started off with a negative dose not mean this film is bad. Quite the opposite is true. I loved this movie. I just wanted to get my biggest grip out of the way. Now let’s talk about what’s right. In the middle of a very strong cast was a performance that stole the show. Christoph Waltz plays Col. Hans Landa to perfection. He is vile, despicable, conniving, ruthless, and all around nasty. But by the same token he is charming, handsome, intelligent, and silver tongued. Truly a man you love to hate. Lt. Aldo Raine is portrayed terrifically and very funny by Brad Pitt. He might have even stole the spotlight from Waltz, had Pitt be in the film more. Shosanna (Melanie Laurent), a very strong female lead, reminded me a lot of Uma Thurman, and that’s not a bad thing. Then in walks Eli Roth as The Bear Jew. As with all The Basterds, he was quirky and bad ass. I was very impressed with Martin Wuttke’s portrayal of Hitler. Not to over the top but enough to laugh at. The addition of Mike Myers and Samuel L. Jackson was great fun and a nice surprise.

Now on to what you all want to read about, VIOLENCE! There really isn’t all that much, only 4 major scenes. However when it there it is wonderfully graphic. A little more action might have helped the pacing of the film, but I digress. The most brutal scene features Eli Roth beating the holy hell out of a Nazi solider with a baseball bat. The camera doesn’t cut away as we witness his head caving in. It’s up there with the “bottle scene” from Pan’s Labyrinth. The scalping and swastika carving scenes are well executed, pardon the pun. The end, which I will not spoil, is a plane and simple just desserts bloodbath. There is another bloody filled gun fight but it was quite a surprise to me when it happened so I will leave it as a surprise for you.

On to the director and writer, Quentin Tarantino. Think what you want of him, love him or hate him. I see his film making as art the same way a collage is art. He takes preexisting elements and uses them to form his own vision. And his dose is it well. However his true genius is his gift for dialogue. Tarantino is a master at the spoke word. Who of us can’t recite words from Pulp Fiction at any given time? In Inglorious Basterds the dialogue takes the center spotlight. In the opening Col. Landa (Christoph Waltz) delivers a speech comparing Jews to rats. It is highly disturbing in it’s logic. I am sure this movie will spawn many one-liners. As a period piece it creates a great and convincing atmosphere. There were a few sporadically placed “Grind House” style titles that I found distracting. Maybe if they were more consistent it would have worked better.

Tarantino is also known for his off beat music selection. Basterds is no different. It’s a wonderful soundtrack that emphasizes the emotions and adds depth to the picture. It has already found a home in my music library. Now normally I have a big pet peeve when it comes to contemporary music in a period film. Perfect example, the horrid Moulin Rouge or A Knight’s Tale, sorry Heath. Strangely however the use of David Bowie’s Cat People (Putting Out The Fire) works perfectly here, juxtaposed against images of the Third Riche. What that says about Bowie or Tarantino, I’m not sure.

To sum it all up: Inglourious Basterds is dramatic, intriguing, and most of all just plan fun. It’s a great alternate timeline adventure. Outstanding performances, terrific writing, and a great look and feel makes this a must see film. The day it hits DVD it will have a special place in my DVD collection. Let’s hope for a director’s cut with more of The Basterds.

4/5

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The Hollywood Vampire- Unholy War

Author: Matt R. Jones

Paperback: 608 pages

Publisher: 1st Books Library (October 17, 2001)

Language: English

Website: www.hollywoodvampires.net

Vampires. Everyone knows them, loves them, loathes them (especially if they sparkle) and generally accepts them as all kinds of awesome.

Vampire stories have always been popular throughout human history, ranging from the serious (Bram Stoker’s Dracula) to the silly (Dracula: Dead and Loving It.) There have been attempts to bring vampires and the popular image they invoke into the modern day (without much success, considering the only thing the Twilight series invoked in me was a whole lot of eye-rolling and retching at teen and pre-teen fan girls swooning over a sparkling, undead guy that survives off of blood.)

However, author Matt R. Jones brings vampires back into the modern day setting in a delightfully refreshing series of short stories and novels. Most take place in and around modern day Los Angeles, although several of the shorts occur within a wide time frame, ranging from the Middle Ages to the early 40′s, 50′s, and 60′s.

Matt’s novel, Unholy War, follows the lives and adventures of several of the Hollywood Vampires: Steele, the rough and tumble unoffical leader of the group, Stacey, Steele’s best friend (and completely, batshit, crazy) Brandi, Clairsse, Wade, Tommy, Dorian, Donita,(a half-vampire) Katheryne, (another half-vampire) and Wade.

Unholy War gives a wonderful view into the world of the vampire, in that it holds true to a number of the traditional established canon rules: Vampires are deathly allergic to sunlight, a stake through the heart or removal of the head will cause them to truly die, and they require blood in order to survive. However, it also offers a unique take on the established lore, portraying vampires more as highly evolved humans, possessing incredible strength, speed, several powerful mental abilities, and a degree of damage resistance to trauma that would outright kill a human.

Unholy War also alters the usual portrayal of the vampire to something far more believable: instead of being cold, aloof, timeless beings, the vampires of this day and age are surprisingly human. They maintain close relationships with humans, engage in rather human activities ( all of the afore mentioned vampires are members of heavy metal/hard rock bands) and generally act like a normal human.

The story is told mostly from the eyes of Steele, though parts of the narrative are told from Stacey’s point of view. The main story arc takes place in modern Los Angeles, though there is some jumpping backward in time as characters reveal personal past history relevant to furthering the course of the story. The characters are believable, likeable, and written very well (several of the characters remind me of people that I personally know, a fact of which I’m not sure delights or disturbs me.) The story flows smoothly, introducing each character and touching briefly upon what sort of a person they are, before launching into a wonderfully gripping tale. Or course, character development isn’t left stagnant, and further insights into the characters are revealed as the story progresses. The book is a compelling read, with each chapter drawing you deeper and deeper into the rough, gritty world of the modern day vampire.

5/5

Reviewed by:Grinning Ghost

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The Empty Grave 2009

Hours of Operation: 6:30pm-Midnight on Fridays and Saturdays,and from 6:30pm-10pm on weeknights

Tickets: General $13 Front of line pass $20

Creator: Mike Talarico

Website: www.theMTgrave.com

With such a modest entrance in the middle of an up-scale outdoor mall one might not think much of this haunt. Little do they know that just beyond the small entryway lies a 50,000 scare foot maze.Standing out front of this maze is quite fun. While the unsuspecting public goes about their business a couple monsters move in for the kill. The skill they possess is evident as the screaming echoes around the mall. My personal favorite moments were when people were looking at the mall map completely unaware that a monster was right behind them. Or the brave little girl who held the monsters at bay with her light-up sword.Into the maze we head. The victims are let in in small groups of 6 at a time. I am a big fan of this style because it makes the maze more personal and makes one feel a bit more vulnerable. Also the dreaded “conga lines” that tend to happen when haunts let a continuous stream of people in are not an issues here. In the first room you find yourself locked in an incinerator. I will not go in to detail here, you’ll have to experience this yourself.

After a startling start you proceed with trepidation in to a vast expanse. This open space full of fog plays tricks with the mind as shadows make your heart race. In the fog shrouded cemetery a silhouette comes to life running at you with a circular saw. When sparks start to fly the terror begins to mount. One particularly cool effect is a combination of fog and lights that causes anything under the fog line to completely disappear. Almost as if you are walking waste deep in water. You can’t see them coming until it’s to late. As the long open expanse ends, you find your self in a small corridor of an old house. This maze works by using the two extremes of open and close space to make your senses uncomfortable.

The house is wonderfully themed with nice attention to detail. Some of the details include: moldering walls, a broken piano, and dismembered teddy bears. A very creepy doll like girl haunts this area. The half open zipper on her face is a great effect. The halls open again into the open space where many monsters roam. Soon you find yourself in the tight corridors again. These ones are full of dismembered bodies. It’s here that the building tension comes to ahead. The monsters are all around you and you wonder, will you get out alive?

There is not a lot of theming in The Empty Grave. Which gives your mind a place to create the fear of what is hiding in those negative space. When there is theming the detail is outstanding! The scenery and props are all top notice. But what makes this haunt great is it’s talent. Every monster knows his job well. The passion for scaring and the effort they put into it is amazing. These are truly some of the best monsters I have seen. They take the risks and go for the throat.

One band of monsters, and I don’t use the term “band” loosely. Really goes above and beyond. The Decayed Brigade! Yet another aspect that sets this haunt above the rest. When out in front of the maze a large door opens and out comes 3 monsters pushing a coffin. When they stop and open the coffin up the music begins. That’s right music. This undead drum line knows how to knock a crowd dead!

The Empty Grave is an experience that is not to be missed this Halloween season. Great street monsters, a drum line, and a fantastic maze make for one killer night. The passion that each and every person involved with this maze has is plainly evident. Even the non-monster staff was energetic and friendly. Mike, the mastermind, has a great creative vision and I have a feeling he has many more scares planed to keep us up at night. I hope this haunt will be around for many years to come.

4 1/2 /5

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Igor Spectre-Tramps in Stereo

Artist: Igor Spectre

Album: Tramps in Stereo

Label: Indy

Released: 2009

Website: www.igorspectre.com

Igor Spectre‘s latest release Tramps in Stereo takes the band to new levels. After taking a 2 year break the band comes tearing back with their best record to date! This is an ultra high energy album that is Rock and Roll as only they can do it. It’s best listened to at very high volumes while cruising in a hearse. The songs feature their classic sound with a new infusion of 70′s glam. Igor is straight up Rock and Roll with a dark edge and a theatrical flare. Combining qualities of Bowie, Rocky Horror, campy horror, and The Damned. Tramps in Stereo just plain rocks!The album starts with a campy horror intro that welcomes you to: A Rock N Roll Tragedy. What follows is the song Bruised Knife. This is classic Igor. Breakn Up and Who’s In My Mouth keeps that classic sound going strong. With track 2, Bloody Murder, Robert James (vocals) trades in his top hat for a platinum blonde wig. It’s this new Glam sound that fills most of the album. The songs Belladonna Hemlock, Tramps in Stereo, and Gorgeous Monster showcase this sound best. You can hear a Diamond Dogs era Bowie fitting right in here.The song Little Death is the darkest song on the album but Rubber Bat Necklace is full of that campy horror we all love. One song who’s sound sticks out here is Pharaoh’s Got The Bomb. It’s got an odd Egyptian flavor to it. The guitar is a kin to the Cure’s Killing an Arab. Then there is the amazing cover of Berlin’s classic Metro. Finishing of the album is the ballad Parasol. A heart felt and fitting end I feel.

Robert James’s vocals have never sounded better. He is able to go from a high rock scream to a low dramatic voice flawlessly. The guitar is in top form with terrific and catchy lines. Played masterfully by B. Scott O’Malley. The thunderous bass that creates a rhythm that wont let your feet stay still is provided by Adam Bomb. There is a nice spooky organ sound that weaves it way thru the tracks created by Mary Woo. The new comer to the band, Mikey Mayhem, fits in perfectly. He drives this album’s energy with impeccable beats. Tramps in Stereo is a must own CD. Every song is terrific and it’s energy is infectious. Capturing a Glam/Vamp/Rock sound that doesn’t get old even after the 20th listening. This is an instant classic. I don’t know what you guys did during that 2 year break but what ever it was keep it up! This is truly an album to die for!

5/5

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Paranormal Activity

Director: Oren Peli

Writer: Oren Peli

Staring: Katie Featherston, Micah Sloat, Mark Friedrichs, Amber Armstrong, Ashley Palmer

Released: 9/29/2009

Rating: R

Studio: DreamWorks

Web Site: www.paranormalactivity-movie.com

Did the theater put the wrong reel on by accident? That is how I feel at this moment. My ticket says Paranormal Activity but this can’t be the movie that everyone loves. Can it? The most frightening film of all time? If this is in fact Paranormal Activity, am I missing something? Why am I bored and laughing? This movie is terrible! A young couple suspects that their house is haunted. They set up video surveillance to capture any evidence. It’s a simple plot that, sadly, is poorly executed. I have seen episodes of Ghost Hunters that were creepier.

For starters the two stars of this film are totally unlikable. Katie is annoying and Micah is an ass. They are supposed to be real people but they don’t feel that way at all. Their performance feels stilted. Katie’s friend, who appears a few times, feel very out of place. Then we have the lame psychic. He only knows about ghosts and can’t help. The only plot point he serves is to let them know it would do no good to leave the house. If really knows nothing about demons how does he know? How dose he know it’s a demon at all for that matter? Anyway he doesn’t seem to care at all what happens to this couple.

The camera stays on all night as the couple sleeps. It’s during this time that the “attacks” happen. The film uses a time lapse effect to speed things up and stops just before something happens. Then there is a low droning noise that appears. Great warning sign, wouldn’t want to startle the audience now would we? It sounds like the demon turns on the A/C. My favorite “attack” was when the light on the stairs comes on, we hear the demons footsteps coming up and then the light turns off. What, the demon needs to turn on a light to walk up stairs? I guess it would be pretty embarrassing for him to fall down or stub his demon toe. Hay at least he’s polite and turns off the light when he’s done. As the thumping grows into footprints and finally to an actual attack the feeling of dread is not there. I think that the daylight scenes take away all unease and each night they had to try and build any tension over again. Then there were the constant jump cuts. They made the film choppy and it lost any real feeling. I’m not sure if the ending was supposed be a twist or shock but it was neither. One could tell this sort of thing was coming as soon as Katie stood by the bed for 2 hours. That’s not scary that’s just annoying by the way.

Paranormal Activity really disappointed me. I was so excited to see it and I was looking forward to a good scare. It’s been awhile since I have been scared by a film. I also wanted to like this film because I am a huge fan of underground and indie film-makers. I want to see them succeed and take over the main stream. However much I wanted to like this film I couldn’t. The scares and plot are predictable and bland. I was so bored in fact that I even checked my watch during it.

0/5

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The Puppet Monster Massacre

Director: Dustin W. Mills

Writer: Dustin W. Mills

Staring: Ethan Holey, Jessica Daniels, Steve Rimpici, Bart Flynn, Erica Kisseberth, Brandon Salkil, Dustin Mills

Released: 2011

Rating: Unrated

Web Site: www.puppetmonstermassacre.com

The Puppet Monster Massacre is a film unlike anything I’ve seen. It captures the spirit of an 80′s horror film and wraps it in felt. The writing is clever and the dialogue is sharp. Each of the puppets has a very distinct personality and encapsulates the 80′s film archetype. From the nerd to the brit, the pussy to the old man. It’s hard not to love this bunch. Add in a crazy German scientist, bunnies, monster, and a penguin and you have a well rounded cast.

The plot is simple: A group of teens are challenged to spend a night in the Wagner mansion on the edge of town. Little do they know the owner (Dr. Wolfgang Wagner) has concocted a monstrosity in the basement and plans to make the hapless teens the creature’s first big meal. It’s the film’s delivery of the plot that make this film a stand out. It has the charm of a Saturday Morning show, but this is NOT for kids. It’s got everything you love about horror films: gore, monsters, boobs, bunny farts, and foul language. However it’s all in felt! This is what I love about the indie film scene. They are willing to take a risk on something and try new things. It doesn’t always work but when it dose, it’s refreshing.

The only bad things I can say are that the voice acting was flat in some parts and the volume levels jumped around a bit. However these are easily over looked and quickly forgotten. The story movies a good pace and the jokes well timed. The Puppet Monster Massacre is a must for any horror fan with a good since of humor. I mean who in there right mind doesn’t want to see puppets die with lots of blood and hear them say F****? And who hasn’t wondered what boobs would look like on Sesame Street? I hope we see more from these guys.

4/5

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Midnight Syndicate-Carnival Arcane

Artist: Midnight Syndicate

Album: Carnival Arcane

Label: Linfaldia Records

Website: www.midnightsyndicate.com

Right from the fist note and hunting train whistle this album transports you to another world. A mysterious world full of illusion, canvas, and greasepaint. Every carnival has a duality to it. It can ether be a place of fun and laughter, or it can be a very dark and sinister place. It all depends on your point of view. So, do you laugh at the clowns? Or wonder what happens behind their closed doors? Do you marvel at the illusionist? Or wonder what dark power he is tapping into? Midnight Syndicate captures the duality perfectly on their new release, Carnival Arcane. They harness the fantasy, the mystery, the sinister darkness, and weave it into a tapestry of unnatural phantasmagoria.

This album invokes the air of carnivals and sideshows past. A land of P.T. Barnum and Todd Browning’s Freaks. It truly demonstrates the range of sounds this duo is capable of. From the driving march of Welcome To The Carnival, to the up beat yet off kilter circus sounds of Under the Big Top. The haunting Kiddieland; reminds one of Danny Elfman, while Freakshow and Lights Out and classic Syndicate. There is even a very fitting eastern sound to Alura The Snake Lady. And let’s not forget the disturbing Goons and Greasepaint. This is not just a collection of songs to showcase what they are capable of. This is a finely crafted album that fully emerges one into a solid and unwavering atmosphere. Every track plays on one another to build this mysterious carnival world. Close your eyes and you are there.

The duality here is fantastically crafted. Thou every track has it’s edge in darkness, some tracks are very open to context. For example Under The Big Top could go very well with a bright and happy circus. However change the context of the song to a twisted sideshow and you’ve got the stuff of nightmares! The music is expertly performed and the instruments are deep and rich. But hiding within the melodies are circus sounds that really breath life into the world. Everything from the train’s whistle, to the barkers cry, to laughter take the tracks to a horrifying reality.

Carnival Arcane is a triumph for Midnight Syndicate. It is up there with my favorites The 13th hour and Gates of Delirium. These three albums are a perfect trilogy of terror. I can’t put one in front of the other two simply because they each create a different world. Three worlds that I truly enjoy visiting. Carnival Arcane is a must own CD for any Halloween or horror fan. This album will set the perfect, skin crawling mood for any carnival haunt! Or a soundtrack to your twisted dreams while you sit alone in a dark room! Let the Carnival begin! The train is pulling into town. I can hear the screams now!

5/5

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My Name is Bruce

Director: Bruce Campbell

Writer: Mark Verheiden

Staring: Bruce Campbell, Ted Raimi, Ellen Sandweiss, Danny Hicks, Tim Quill, Michael Kallio, Dani Kelly

Released: 2/110/2009

Rating: R

Studio: Image Entertainment and Dark Horse

Website: www.dhentertainment.com

Ok, who in there right mind dose not love a good, I mean so bad it’s good, B-movie. There is no one who can complete with the king of B Bruce Campbell. If you agree with either statement above then My Name is Bruce is a must own. This movie is just plan fun. It is Bruce being Bruce, quick wit and classic one liners, up against a villain that looks like he would be at home on The Power Rangers. I am not saying that’s a bad thing, well kind of, but in this situation bad is better.

The plot of this film is simple and contains every cliche you can think of. My Name is Bruce starts off with a song that will stick in your head for days. It’s the story of Gold Lick, Oregon and it’s resident evil Guan-di, the Chinese god of war and protector of the dead, and bean curd. Oh yeah and he keeps watch over the graves of Chinese miners lost in a deadly cave-in of yesteryear. Of course Guan-di is awakened by a group of teens one of which is the worlds biggest Bruce Campbell fan. With the town threatened by this evil Jeff (Taylor Sharpe) comes up with the ultimate plan. Kidnap his hero, Bruce Campbell, from a movie set and have him kill the monster. Bruce goes along with Jeff’s prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeff’s attractive mother, Kelly (Grace Thorsen). But when confronted by a monster that’s not a guy in a rubber suit, Bruce dose what anyone would do. He runs for his life. Will he come back to save the day? Well you’ll just have to get the movie to find out.

Well that’s the story, I told you it was simple. Now if this film was staring anyone else one might think it was just a pompous, ego film, but It’s Bruce so it works. This movie is deadly funny with tons of inside jokes. This was made for the fans. Ted Raimi is hilarious in his multiple role, the best being Wing. Toss in that cheesy monster and some good gore and we have a winner.

3 1/2 /5

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